영화의전당

감독

슈테파니 빈터(Stephanie Winter)
슈테파니 빈터는 2001년부터 2007년까지 비엔나예술학교와 베를린예술대학교에서 순수 회화와 후기 개념미술을 공부했다. 2009년 그녀의 첫 단편 <도플갱어>(2009)는 오스트리아 디아고날 영화제를 비롯, 각종 해외 영화제 소개되었을 뿐 아니라, 2010 부산국제단편영화제에서 우수작품상을 수상했다. 또한 최근작 <슬픈 사막 - 어떤 로봇의 이야기>(2015)는 홍콩영화제에 소개된 이후, 비엔나독립단편영화제에서 베스트오스트리안음악영화상 을 수상한 바 있다. 그녀는 영화뿐만 아니라 비디오아트 전시, 회화에도 많은 관심을 가지고 작업을 계속 해오고 있으며, 살롱 하이브리드 프로덕션의 설립자이자 예술감독이기도 하다. <br>She studied Painting & Post-Conceptual Art Practices from 2001 – 2007 at the Academy of Fine Arts Vienna and the Berlin University of Arts. 2009 her first short film The Doppelganger (2009) was premiered at the Diagonale in Graz. In 2010 she won the “Excellence Award” at the Busan International Short Film Festival. Her new Film Tristes D éserts - A Robots Tale (2015) was premiered at the Hong Kong Film festival and was awarded for “Best Austrian Music Video” at the Vienna Independent Shorts. Preferably she works on on large-scale film-, video and installation-projects but also devotes her time to painting. Stephanie Winter is founder and artistic director of the experimental performance & production platform Salon Hybrid.

쟝 마크 이. 루와(Jean-Marc E. Roy)
Jean-Marc E. Roy’s work oscillates between documentary and fiction. Since 1999, many of his films have been presented and received awards here and abroad. His series Pickup : à la rencontre du bout du monde received a Gémaux Award in 2012 and Cowboy : un rêve canadien was nominated in 2014. He recently directed Blue Thunder (Official selection – 47th Directors Fortnight, Cannes 2015), Jupiter Applause, Puisqu’il le faut and Nevermind, which he accompanied around the world last year. An aficionado of French Canadian culture, Roy is currently working on his first feature-length documentary about director André Forcier. A resident of Chicoutimi, he has enjoyed a joint practice with Philippe David Gagné since 2008. <br>Sant Grial(2014) Bleu Tonnerre(Blue Thuner)(2015) Jupiter Applause(2015) Airs Communs(2016) Carriere(Stonemakers)(2016)